HYPERACUSIS
Introduction
Hyperacusis can involve loudness, annoyance, fear, and pain. We
have noted that tinnitus is often accompanied by hyperacusis, and many current sound
therapy protocols treat tinnitus and hyperacusis in parallel. One can readily
imagine that sounds perceived as being very loud could easily become annoying.
The anticipation of loud and/or annoying sounds could reasonably lead to the
fear of these sounds. However, it is possible for sounds to be annoying or
feared without being too loud. Patients also report that some sounds are
physically painful, usually those perceived as loud. Occasionally, patients
with tinnitus report that some sounds make their tinnitus worse. It is
important to separate each of these symptoms, both for the patient and the
clinician, to understand the problems carefully, and to offer treatment
suggestions.
Neurophysiological Causes, Mechanisms,
and Models of Hyperacusis
Anything that which causes a sensory/neural hearing loss can
likely also cause hyperacusis. Hyperacusis can also occur without identifiable
hearing loss. As a stimulus is increased, the activity of individual nerve
fibers increases, and the number of nerve fibers activated increases (and
usually its perceived loudness also increases). Moderately intense sounds might
result in loudness hyperacusis if
1. greater than normal activity was produced on individual nerve
fibers,
2. more nerve fibers were activated than normal, and/or
3. there was greater than normal synchrony across fibers
We suggest that hyperacusis might also be a function of such
brain plasticity. Following a peripheral hearing loss, say at 4,000 Hz, nerve
fibers in the brain that normally respond to 4,000 Hz begin to respond to other,
nearby frequencies, for example, 3,000 Hz. This results in more nerve fibers in
the brain responding to 3,000 Hz than would be present normally. If hyperacusis
is related to the number of fibers activated, this could account for it as a phenomenon.
Hazell (1987) suggested that hyperacusis might be the result of an “abnormal
gain control.” It is as if the brain receives a lack of information after
hearing loss and therefore turns up some hypothetical gain control.
EVALUATION OF
HYPERACUSIS
Medical
The medical evaluation for hyperacusis parallels that for
tinnitus. Some conditions have been associated with hyperacusis, including
facial paralysis, head trauma, and metabolic disorders, infections (Lyme
disease), and genetic (Williams’ syndrome) abnormalities.
Measuring Hyperacusis
LOUDNESS
HYPERACUSIS
Loudness Discomfort Levels
Loudness
discomfort levels (LDLs) can be performed with puretones at 500 and 4,000 Hz in
each ear. We use the following instructions: “This is a test in which you will
be hearing sounds in your right/left ear. We want you to decide when the sound
first becomes uncomfortably loud.”
Magnitude Estimation of Loudness
It is possible to present tones and ask for a rating of
loudness on a scale from 0 to 100, with 100 being the loudest sound a person
can imagine. Hyperacusis scales have been developed to attempt
to differentiate loudness and annoyance and to ascertain a
general idea of the impact of hyperacusis on a patient’s daily activities. The
questionnaire asks individuals to consider several typical events they might encounter
in their daily lives. They then separately rate the loudness and the annoyance
for the same situations. For example, a patient may rate “telephone ringing in
the same room” as 40 out of 100 on the loudness scale (with 100 being unbearably
loud), whereas rating it as 85 out of 100 on the annoyance scale (with 100
being unbearably annoying).
ANNOYANCE
HYPERACUSIS
In terms of hearing loss tinnitus, and hyperacusis the
statement include items such as ‘you avoid shopping’ ‘you feel depressed’ and
allow clinician to separate the impact on function that patient perceive from
where hearing loss, tinnitus and hyperacusis. Another approach we have tried is
to have patients rate recorded sounds. For example, we have patients rate recorded
sounds of dishes hitting together, a lawn mower, and crowd noise. A multiple activity
scale for annoyance hyperacusis, providing 15 situations (e.g., concert,
shopping center, work, church, children). Subjects rated from 1 to 10 each of
the “relevant” activities, which were averaged for a total score. They also had
patients rate annoyance hyperacusis on a scale from1 to 10.
FEAR
HYPERACUSIS
Patients can develop a fear of very specific sounds or
categories of sounds (e.g., those containing high frequencies) or of any
intense sound. The simplest approach may be to ask the patients to make a list
of sounds they fear to determine if a specific pattern exists.
PAIN
HYPERACUSIS
Some
patients report that listening to some sounds create pain. Often, they are
perceived as loud, and these patients typically have fear of these sounds.
TREATMENT
FOR HYPERACUSIS
Counseling
In hyperacusis activities treatment, we include four sections.
1. The first
section is emotional well-being. Patients with hyperacusis are often anxious
and distressed about being exposed to intense noise.
2. The second
section is hearing and communication. Some patients avoid communication
situations where they expect there to be intense sounds. Sound therapy to
reduce loudness hyperacusis should be able to provide some assistance with this.
Others will avoid using hearing aids or use gain settings that are
insufficient. Patients can set the maximum output of their hearing aids
temporarily to a lower level (Search field, 2006) and gradually increase this
over time.
3. The third
section is in the area of sleep. Occasionally, patients with fear hyperacusis
will report that they do not sleep as well because of the anticipation of an
intense sound. Partial masking sound therapy (e.g., playing music throughout the
night) can be helpful for some.
4. The fourth
section is that some patients report that they have difficulty concentrating in
anticipation of an intensesound. Again, partial masking sound therapy can be
helpful.
Sound
Therapies
One fundamental issue is whether to protect the ears from moderately
intense sounds, for example, with earplugs. Some patients with severe
hyperacusis do this on their own. Of course, everyone (including hyperacusis
patients) should protect their ears from potentially damaging high-intensity sounds.
However, protecting a hyperacusis patient’s ears from moderately intense sounds
will not cure the patient’s hyperacusis. In fact, restricting one’s exposure to
moderately intense sounds might have a further negative impact. One can imagine
that if it is uncommon to hear a sound at 85 dB SPL, then whenever a sound of
this level is perceived, it might result in an overreaction. There are
currently five general sound therapy strategies that we are aware of for
hyperacusis.
PARTIAL
MASKING
Partial masking with a continuous background sound can be used
to reduce the loudness and prominence of intermittent sounds that might
otherwise be annoying. For example, low levels of music can partially mask
background annoying traffic noise. Additionally, the low-level music can create
a background whereby the patient is less likely to anticipate being disturbed
while getting to sleep, sleeping, or concentrating.
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